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I have done sex scenes before that have more abandon, for instance, in “We Need to Talk About Kevin.” When I did that scene with Tilda Swinton and John C. McGarvey For the sex, we would always shoot with two cameras, so they wouldn’t have to do numerous takes. But how close are the cameras and how many takes? Frank, who’s holding the boom, is seeing, “Oh, this is what Amy is like when she really means business.” In between every single take, I think I screamed, “It’s so embarrassing!” The sex scenes that are funny, I don’t care, but the ones that are actually sexual, it’s like these people are seeing me be really vulnerable. In our house, nudity wasn’t a big deal, so that was never an issue for me. Schumer I am sort of a boundaryless person, which is something I’m working on. I had the pleasure of casting a nontattooed bottom - Surreal Scenario No. I wouldn’t say it was one of the highlights of my career, but it certainly was one of the most surreal scenarios. We were in the curious situation, in postproduction, of adding.
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Dakota had kind of a patch that went over her pubic area, and right round her whole body. I hope Michael will forgive me for saying this. You couldn’t cut it out - it’s very, very brief. We noticed in the cutting room literally one frame where his testicles were visible. And he was naked - well, he had his shirt on. I always remember when Michael Douglas is trying to carry her over her to the bed, and he couldn’t get out of his pants, and he’s having hysterics laughing. And with Matthew, at one point he had a threesome, with two girls in this trailer home with his friend watching him, and he was on fire.ĭo you ask for nudity, and then worry about covering it up afterward? it wasn’t specifically planned for this guy to take Reese, to turn her on her back, and take her from behind, but it just happened as we were shooting. Restricted crew, it’s just available light where we can move 360 degrees with the camera - this is the intention, and let’s see where it goes from there. Jean-Marc Vallée There was no specific choreography, but there’s a way of setting a tone. If you don’t get some humor in, the audience will laugh at you, because they’re nervous watching it. So in “Fatal Attraction,” the scene where they over the sink, I knew it had humorous possibilities because there was plates and cups in the sink. I’ve always thought that sort of grabbed sex is more fun than that statuesque sort of bedroom stuff. Sometimes we would use a remotely operated camerahead so the actors wouldn’t have an operator leaning in.Īdrian Lyne You try and create a situation where there are possibilities. In the Red Room, when things heat up a little bit, that was less choreographed. Also, that suited the first few sex scenes, to have a slight awkwardness to them the camera would be more at a distance. Seamus McGarvey We did have rehearsals and to make the actors feel comfortable initially, look at how we might photograph the sex. There’s only so many places you can put the camera for that activity. Judd Apatow I took photos of every possible angle you could have sex in, but then on the day, all of it goes out the window. Apatow directed the writer and comedian Amy Schumer in her first big-screen sex scenes she pumped herself up by listening to Beyoncé in her trailer. In the forthcoming comedy “Trainwreck,” Mr. “If it’s overly rehearsed or overly thought through, it seems like a bad soft-core porn on Cinemax,” said Judd Apatow, the auteur of raunchy rom-coms (and a producer of “Girls”). To simulate sex, actors employ tricks: pillows between them, prosthetics and body stockings, and push-ups to get their muscles bulging. James’s S-and-M-centered novel - though on-screen, some of the whipping is created via digital imagery. “We did actually save the explicit sex to the final week” of shooting, said Seamus McGarvey, the cinematographer of “Fifty Shades of Grey,” based on E. But they are delicate moments to capture. When they work, she added, “everybody actually enjoys them.”Īudiences certainly do, if the blockbuster success of “Fifty Shades of Grey” is any measure.
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“I personally am very excited when we shoot sex scenes,” said Sarah Treem, a creator of the Showtime series “The Affair.” “Because I think they can be transgressive they can be very, very real.” Speak to the filmmakers, though, and you get a different take.
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It’s the antithesis of hot, stars assure us on late-night TV it’s awkward and tense. It’s a performance with a stranger-turned-scene-partner, for a director who’s judging every caress and whimper. There are big cameras, of course, and big crew members that come with them. To hear most actors tell it, filming sex scenes is no turn-on.